The Bloomsbury handbook of music and art [electronic resource] / edited by Sarah Mahler Kraaz and Charlotte de Mille.
- 其他作者：
- 出版： New York : Bloomsbury Academic 2024.
- 叢書名： Bloomsbury handbooks
- 主題： Art and music. , Art et musique. , Art and music , Electronic books.
- 版本：1st ed.
- ISBN： 9781501377747 (online) 、 9781501377716 (hardback) 、 9781501377723 (epub) 、 9781501377730 (PDF) 、 9781501377754 (paperback)
- URL：
電子書(校內)
電子書(校外)
- 一般註：Includes bibliographical references and index. 113年度臺灣學術電子書暨資料庫聯盟採購
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讀者標籤：
- 系統號： 000314750 | 機讀編目格式
館藏資訊
This volume brings together prominent scholars, artists, composers, and directors to present the latest interdisciplinary ideas and projects in the fields of art history, musicology and multi-media practice. Organized around ways of perceiving, experiencing and creating, the book outlines the state of the field through cutting-edge research case studies. For example, how does art-music practice / thinking communicate activist activities? How do socio-economic and environmental problems affect access to heritage? How do contemporary practitioners interpret past works and what global concerns stimulate new works? In each instance, examples of cross or inter-media works are not thought of in isolation but in a global historical context that shows our cultural existence to be complex, conflicted and entwined. For the first time cross-disciplinary collaborations in ethnomusicology-anthropology, ecomusicology-ecoart-ecomuseology and digital humanities for art history, musicology and practice are prioritized in one volume.
摘要註
This volume brings together prominent scholars, artists, composers, and directors to present the latest interdisciplinary ideas and projects in the fields of art history, musicology and multi-media practice. Organized around ways ofperceiving, experiencing and creating, the book outlines the state of the field through cutting-edge research case studies. For example, how does art-music practice/thinking communicate activist activities? How do socio-economic and environmentalproblems affect access to heritage? How do contemporary practitioners interpret past works and what global concerns stimulate new works? In each instance, examples of cross or inter-media works are not thought of in isolation but in aglobal historical context that shows our cultural existence to be complex, conflicted and entwined. For the first time cross-disciplinary collaborations in ethnomusicology-anthropology, ecomusicology-ecoart-ecomuseology and digital humanities for art history, musicology and practice are prioritized in one volume.