LGBTQ film festivals [electronic resource] : curating queerness / Antoine Damiens.
- 作者： Damiens, Antoine.
- 其他題名：
- Film culture in transition.
- 出版： Amsterdam : Amsterdam University Press 2020.
- 叢書名： Film culture in transition
- 主題： Gay and lesbian film festivals. , Homosexuality and motion pictures. , Sexual minorities in motion pictures. , Sex role in motion pictures. , Cultural industries.
- ISBN： 9789048543892 (electronic bk.) 、 9789463728409 (paper)
- URL：
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- 一般註：Title from publisher's bibliographic system (viewed on 08 Dec 2020). 110年度臺灣學術電子書暨資料庫聯盟採購
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讀者標籤：
- 系統號： 000291487 | 機讀編目格式
館藏資訊
While scholars have theorized major film festivals, they have ignored smaller, ephemeral, events. In taking seriously minor European and North-American LGBT festivals which often only exist as traces within archival collections, this book revisits festival studies' methodological and theoretical apparatuses. As the first 'critique' of festival studies from within, LGBTQ Film Festivals argues that both festivals and queer film cultures are by definition ephemeral. The book is organized around two concepts: First, 'critical festival studies' examines the political project and disciplinary assumptions that structure festival research. Second, 'the festival as a method' pays attention to festivals' role as producers of knowledge: it argues that festivals are not mere objects of research but also actors already shaping academic, industrial, and popular cinematic knowledge. Drawing on my experience on the festival circuit, this book pays homage to the labour of queer organizers, critics, and scholars and opens up new avenues for festival research.
摘要註
While scholars have theorized major film festivals, they have ignored smaller, ephemeral, events. In taking seriously minor European and North-American LGBT festivals which often only exist as traces within archival collections, this book revisits festival studies' methodological and theoretical apparatuses. As the first 'critique' of festival studies from within, LGBTQ Film Festivals argues that both festivals and queer film cultures are by definition ephemeral. The book is organized around two concepts: First, 'critical festival studies' examines the political project and disciplinary assumptions that structure festival research. Second, 'the festival as a method' pays attention to festivals' role as producers of knowledge: it argues that festivals are not mere objects of research but also actors already shaping academic, industrial, and popular cinematic knowledge. Drawing on my experience on the festival circuit, this book pays homage to the labour of queer organizers, critics, and scholars and opens up new avenues for festival research.